When Certain Encounters Redefine a Lifetime: A reflection on Silla Maria Campanini and the journey we continue to share
In life, we come across a number of people. However, certain encounters can change the entire direction of life. The meeting with Silla Maria Campanini is one such incident. It was not an encounter that announced itself with clarity or intent. It arrived quietly, almost anonymously, and revealed its meaning only with time. Looking back now, it is evident that this meeting was not accidental. It was necessary.
The Beginning: A Foundation Born in Uncertainty
The early days of Writers Capital International Foundation were marked by uncertainty, restraint, and resolve. The foundation was not built on abundance. It began with struggle, with faith, and with the last pennies available in my savings. There was vision, but there was also vulnerability. The question was not whether the work was meaningful, but whether it could survive.
It was during these fragile initial days that Silla appeared. Even now, I cannot clearly recollect how we met. There was no planned introduction, no deliberate search for collaboration. She emerged from nowhere, as though she had always been meant to be there. It did not take long to realise how important this connection was going to be. Her presence carried with it a sense of assurance, a quiet confirmation that the path ahead, though difficult, had a direction.
With Silla entering the foundation, it felt as though something aligned naturally. What was once an effort to hold things together slowly began to find form. Not through force or ambition, but through steadiness.
Building a Cultural Bridge
Soon after, our programmes began to take shape. What followed was remarkable. A large number of talented individuals, particularly from Italy, started joining the foundation. Writers and artists came forward with sincerity and commitment. This was not recruitment in the conventional sense. It was resonance. A cultural bridge began to form organically, anchored in trust and shared values.
During this period, Alfredo Pasolino, a renowned artist and critic, joined us. Elderly in years but profound in spirit, he surprised me with a depth of affection that felt unmistakably paternal. His love was boundless, uncomplicated, and deeply human. He later became the President of the Foundation, while Silla took on the role of Vice-President. Even today, our memorial office address in Italy stands in his name. It is not merely an address. It is a reminder that the foundation was shaped as much by relationships as by ideals.
Alongside him, Pasquale Solano played a crucial role through his active presence and commitment. These individuals did not contribute from a distance. They stood within the foundation, strengthening it through participation and belief.
Silla the Artist: Depth Beyond Form
Silla Maria Campanini’s artistic journey stands independently as a significant contribution to contemporary art. Born in 1954 in a village in the province of Bologna, her early life was shaped by earth, landscape, and colour. Her journey from technical consultancy to teaching, and later to becoming a distinguished image educator, reflects an evolution rooted in discipline and intuition.
Her recognition in 2016 as a member artist of the art and culture department of the Belgrade Academy of Sciences and Arts acknowledged a body of work that was already mature in thought and expression. Her exhibitions, both personal and collective, across national and international platforms, placed her work within galleries, museums, and public spaces that continue to engage viewers deeply.
Her art does not conform to trends. It inhabits a metaphysical space where fantasy, symbolism, and the collective unconscious intersect. Her paintings move beyond time and geography, engaging with dramatized inner forms and unspoken emotional structures. As Alfredo Pasolino once observed, her works resonate with the stormy peaks of an undulating soul. They do not explain themselves. They invite presence.
Loss, Silence, and an Unseen Bond
Beyond her public journey lies a deeply personal grief. There is no greater pain for a parent than witnessing the passing of a child while they themselves remain. Silla endured such a loss when her daughter Serena passed away at a very young age. This loss left a quiet, enduring pain within her, one that never sought attention, yet was always present.
Though I never met Serena, though she would perhaps have been of my own age had she lived, I developed for her a love similar to that of my own sister. For us, she was and remains an angel. We believe she is still there, unseen yet present, blessing us. One of the most important recognitions instituted by the foundation, the Child Prodigy Award, bears her name. It stands not as a memorial of sorrow, but as a continuation of life and promise.
A Bond Beyond Definition
Our connection was never linear. There were ups and downs, moments of closeness and periods of silence. Though I often referred to Silla as a sister, her presence was deeply motherly. And like a mother, she corrected me when necessary. There were times when silence lasted for months. Yet, like a mother and son finding their way back after a disagreement, we always returned to each other. Without negotiation. Without explanation.
There are certain things that language cannot contain. Certain connections operate beyond logic. During difficult phases of my life, she would appear suddenly, as though she knew. At other times, I sensed the same pull towards her. In this life of forty-six years, I can say this without hesitation: there has been no other connection like this. And it continues still.
A Presence That Endures
Silla Maria Campanini continues to inspire the world of art through her work, her teaching, and her quiet integrity. For me, her role has been far more intimate. She has been direction during uncertainty, correction without harshness, silence without distance, and presence without demand.
Some encounters pass through our lives as moments. Others become part of our inner structure. Silla belongs to the latter. This article stands not as celebration alone, but as record. A record of a bond shaped by struggle, faith, loss, and trust. One that time has not diluted, and circumstances have not undone.
On her birthday, this reflection is offered with seriousness and gratitude. For her presence in my life. For her role in the foundation. And for a connection that continues, quietly and unwaveringly, as it was always meant to.


With a master’s in International relations, Dhanuka’s expertise is in Geopolitics and Geoeconomics, among other things. In addition to being the Executive Editor of The Asian Reviews magazine, he works as a guest writer in the Chicago-based Armenian Mirror-Spectator on Caucuses-related geopolitical issues and contributes as a columnist and a guest speaker to the Indian-based Force Security magazine.



Johanna D.S. Chittranjan, known in literary and spiritual circles as Johanna Devadayavu, is a revered poet and humanitarian of Swiss origin who has lived in South India for over forty years. A woman of gentle strength and profound introspection, she has dedicated her life to cultivating love, peace, and spiritual awareness through poetry and compassionate action. Together with her late husband, Lawrie Devadayavu, she co-founded Laharinagar, a serene spiritual retreat nestled in the verdant landscape of South India. More than a sanctuary, Laharinagar is a living embodiment of their shared vision—where harmony with nature, meditative silence, and human connection converge. It continues to inspire seekers, poets, and pilgrims from around the world. Johanna’s poetry is a quiet revolution—her voice emerges from a soul attuned to the rhythms of the earth and the divine heartbeat of humanity. Her work is marked by simplicity, emotional depth, and luminous imagery drawn from her lived experiences. In her verses, she embodies multiple facets of human existence: the devoted wife, nurturing mother, reflective grandmother, diasporic soul, nature lover, and spiritual pilgrim.


