Editor

For most of the last century, Sri Lankans did not question Ramayana. A major part of the Baby Boomers, Xennials, and Millennials have read what was written by the great poet Valmiki. Sri Lankans even wished for the eventual defeat of Ravana in the middle of the story while keeping their fingers crossed to see Rama defeat the evil king. All the while they wholeheartedly forgot one very important thing. The evil king Valmiki pianted, was the ruler of their land, an ancestor from another time.

It is fair to say that the internet generation was the one who was responsible for shaking-up this narrative upside down. They alone reminded the Sri Lankans that as a nation, we were cheering the wrong camp wearing the wrong hat. An infinite number of YouTubers, bloggers, and social media personalities brought the lost fame, valor, adoration, and praise for the very soul they once chastised. Ever since, Ravana is a badge an absolute majority is wearing with great pride. “ Until the lions have their historians, tales of the hunt shall always glorify the hunter “ was proven right in the Sri Lankan context. Today the lions have their historians telling their version of the tale. Hunters keep a close watch in disbelief. There are tens of songs, films, and dramas praising King Ravana. Those creations are watched by an entire generation of Sri Lankans with so much passion and appreciation. Mandodari is no evil queen any longer. The songs about her devotion and love for her King are sung in many mouths. Ravana’s family remains mainstream heroes among Sri Lankans instead of the evil clan that was portrayed by the devotees of his nemesis.

If someone rewrote Ramayanaya today there are newer and interesting facts you could add to twist the old tale. Let’s start from Nashik, the holy city in Maharashtra. If Lakshmana was to cut the nose of  Ravana’s sister Shurpanakha in Nashik, it could only mean one thing. The region was by proxy or directly ruled by Ravana’s dynasty. How is this possible if Shurpanakha had to cross an ocean and travel 1900 + kilometers? According to the Geological history, both India and Sri Lanka were part of the Gondwana supercontinent. Surely it began breaking apart due to many reasons at some point but may have been well connected by this time. Now the very idea of Nahsik or the entirety of Maharashtra was either a tribute state or directly ruled by the Ravana dynasty could be a fact many Raman devotees and the  Indian patriots may not be able to stomach. Nonetheless, the logical possibility could not be ruled out concerning this.

The Brhamaveda mentions celestial weapons such as Brahmastra which reminds us of modern-day nukes. Prasvapna reminds us of the modern-day laser-guided weapons. Gandharvastra is similar to psychotronic weapons that caused the infamous Havana Syndrome. Although there is a high degree of divinity assigned to those ancient ones, it is fair to say that a civilization such as the one we are in today where technology is harnessed for both creation and destruction could have what existed back in the time of Ravana. The Rama-Ravana war was indeed a war where humanity used weapons of mass destruction. It not only wiped out an entire era where archeological evidence had been destroyed but could have been the reason for Sri Lanka to exist in the form of an Island with served land connection to the Indian subcontinent. Remember the earlier argument of  Ravana ruling until Nashik !

This Nuclear encounter could be one reason why we have a Ramayanaya in the form of a legend dipped in mythology. The destruction probably wiped out the otherwise rich, diverse civilization that existed in the Gondwana supercontinent or however they called it. The remaining humans kept the legend alive according to their understanding giving a sense of mysticism and divinity to facts they could not quite comprehend.

If one follows the Ramayana trails established in Sri Lanka there is a very famous mountain that goes by “Lake Gala”. The literary meaning is the Rock where the aim was taken from. It is said that long-distanced weapons, probably intercontinental missile type was launched from this. Then there is the Yahangala mountain rock where King Ravana was laid to rest after he was allegedly killed. The surprising fact is that no big tree grows here reminding an ancient site where a nuke was detonated.

To agree with everything Valmiki wrote would be an insult to our intelligence and if one tries to explain Ramayana solely through a religious lens, one would miss out on some of the most intriguing details. Modern theories could find different meanings in this particular legend. But who is ready to start a healthy dialogue without giving rouse to political and religious tensions? Only the writers could engage in such a healthy argument. 

DHANUKA DICKWELLA

About the Writer

With a master’s in International relations, Dhanuka’s expertise is in Geopolitics and Geoeconomics, among other things. In addition to being the Executive Editor of The Asian Reviews magazine, he works as a guest writer in the Chicago-based Armenian Mirror-Spectator on Caucuses-related geopolitical issues and contributes as a columnist and a guest speaker to the Indian-based Force Security magazine.

He was a grassroots Politician, a political campaign Director, and a council member of a local government body in a small town in rural Sri Lanka. Before entering active politics, he led his foundation in supporting youth and the underprivileged. Currently, he consults youth groups on political activism and general political trends.

He is a poet, blogger, and an enthusiastic climate and social activist who strongly believes in making a better world for future generations. A patriotic Sri Lankan who is a father of a loving daughter.

Christos Dikbasanis, born in Thessaloniki in 1961, is a poet, scholar, and writer whose work seamlessly bridges the realms of literature, theology, and cultural inquiry. A graduate of the Theological School of Aristotle University of Thessaloniki (AUTH), he pursued advanced studies in religious scholarship, earning a Master’s degree (MTH) in Religious Studies. His academic background deeply informs his literary pursuits, infusing his work with philosophical introspection, existential depth, and a profound reverence for the mysteries of the universe.

A MULTIFACETED LITERARY CAREER

Dikbasanis’ literary footprint is vast and varied, encompassing poetry, essays, short stories, and scholarly studies. His evocative compositions have found a place in both national and international literary landscapes, with his poetry and essays appearing in renowned anthologies and literary journals. His words transcend the printed page, finding new life on the stage through theatrical adaptations of his poetry. His ability to capture human emotion and universal truths through verse has made his work resonate beyond linguistic and cultural barriers.

As a testament to his influence, Dikbasanis has been featured in esteemed publications such as the Great Encyclopedia of New Greek Literature by Hari Patsi and the journalistic registry Who’s Who. His poetry has been translated into English, Spanish, and Italian, expanding his literary reach across borders.

His latest poetry collection, Journey to Infinity, published by Writers International Edition, is a testament to his fascination with the cosmos, existential philosophy, and the boundless nature of human introspection. His writing often explores themes of time, loss, longing, and the metaphysical connections between human consciousness and the universe.

A LIFETIME DEDICATED TO LITERATURE AND CULTURE

Dikbasanis is a committed member of several literary organizations, including the Thessaloniki Writers’ Association (ELTH), the International Society of Greek Writers (DEEL), and the Greek-Cyprus Cultural Association (SPEK). These affiliations highlight his dedication to fostering intellectual exchange and strengthening literary ties within Greece and beyond.

His love for humanity, space exploration, nature, anthropology, mythology, and the history of religions informs his work, creating a rich tapestry that reflects both scientific curiosity and spiritual depth. His poetry does not merely contemplate the vastness of space; it examines the intimate emotions that define human existence.

A UNIVERSAL SEA: A REFLECTION OF EXISTENTIAL LONGING

Dikbasanis’ poem, A Universal Sea, captures the essence of his poetic vision. The imagery of “black waves,” “dying stars,” and “space-time like a hungry vortex” speaks to the eternal struggle between presence and absence, longing and loss. The poet becomes a solitary voice in the cosmos, simultaneously calling out and fading away into the silence of the universe.

He writes:

“Now the vast sea of ​​infinity
misspells my name
on the sand of its bottom”

These lines encapsulate the inevitable passage of time, the erasure of identity in the grand scheme of the cosmos, and the poet’s deep existential musings. It is a meditation on the ephemeral nature of dreams, love, and human existence itself.

A LEGACY OF RECOGNITION AND INSPIRATION

Over the years, Dikbasanis has received numerous national and international literary awards, cementing his place as a formidable voice in contemporary poetry and scholarship. His legacy is not just in the accolades but in the lasting impact of his work—a poetic journey that invites readers to gaze into the infinity of the universe and reflect on their place within it.

Through his contributions to literature and culture, Christos Dikbasanis continues to inspire, bridging the celestial and the human, the scholarly and the poetic, the past and the boundless future.

Jenny Sakorafa is a distinguished Greek artist whose diverse talents span the realms of theater, poetry, literature, and music. A graduate in Theater Studies from the Faculty of Philosophy at the National and Kapodistrian University of Athens, she has cultivated a deep understanding of dramaturgy and performance. Her formal training in acting at the Veaiki Drama School and the Central Stage Drama School further solidified her artistic foundation, earning her a recognized acting diploma from the Greek Ministry of Culture.

Her passion for artistic expression extends beyond theater into the world of music. Having studied dance and attended the Musical High School of Pallini and the National Conservatory, Jenny has performed in numerous concerts, demonstrating her multifaceted artistic abilities.

A THEATRICAL JOURNEY ACROSS STAGES AND SCREENS

Jenny Sakorafa’s career in theater has been marked by performances in a wide range of productions, from historical dramas to contemporary plays. Her dedication to the craft was recognized early when she received a Performance Prize for her role in “Domna Visvizi – The Lady of Ainu” (2002), a play that brought to life one of Greece’s unsung heroines.

Beyond acting, she has played an integral role in children’s theater, taking responsibility for theater studies and direction. Through her work, she has helped shape young minds, introducing them to the beauty and discipline of theatrical expression.

Jenny’s artistic reach extends into film, television, and radio, where she has worked on numerous projects, further establishing herself as a versatile performer.

A CELEBRATED POET: AWARDS AND INTERNATIONAL RECOGNITION

Parallel to her theatrical career, Jenny has distinguished herself as an acclaimed poet. Her work has been recognized in multiple international competitions, affirming her talent in capturing the human experience through verse.

Her accolades include:

• “Sappho” Poetry Award at the 9th World Poetry Competition of the Hellenic Amphictyony (2020)
• “Originality Award” at the 1st World Poetry Competition (2021) for her poem on Greece’s Call to 1821-2021… Cradle of Spirit, Culture, and Peace
• 2nd Poetry Award at the 20th World Poetry Competition of the Hellenic Amphictyony (2022)
• Gold Book Award at the Panorama International Book Awards 2023 in India for her poetry collection Stigmes…
• 1st Poetry Award at the 12th World Poetry Competition (2024)

Her poetry, rich in emotional depth and cultural reflection, captures fleeting moments of beauty and struggle, resonating with readers worldwide.

AUTHORSHIP: PLAYWRITING, FAIRY TALES, AND NOVELS

Jenny Sakorafa is also a gifted writer whose works span various literary genres, including theater, children’s literature, poetry, and novels. She has penned several plays that explore diverse themes:

• One Hour
• The Man from the Marsh
• Jean’s B.D.

Her contributions to children’s literature reflect her deep understanding of storytelling and imagination, with titles like:

• The Enchanted Water Lily
• Rainbow
• The Four Seasons

Not only has she written these fairy tales, but she has also illustrated them herself, demonstrating her creative vision beyond the written word.

Her poetry collection, Stigmes…, received international recognition, winning a Gold Book Award in 2023.

In the realm of fiction, her novel A Well Full of Birds has further solidified her place as a literary talent capable of weaving intricate narratives that captivate readers.

A LIFE DEDICATED TO THE ARTS

Jenny Sakorafa’s artistic journey is a testament to her unwavering passion for creativity. Whether on stage, behind the scenes, in the pages of a book, or through the rhythm of poetry, she continues to inspire audiences and readers with her profound storytelling and dedication to artistic excellence.

Her contributions to theater, poetry, and literature stand as a celebration of culture, philosophy, and the human experience. With numerous accolades to her name and an ever-expanding repertoire, Jenny remains a beacon of artistic brilliance in the Greek and international literary landscape.

Hailing from the culturally rich land of Yucatán, Mexico, Fer de la Cruz is a poet, literary scholar, and translator whose work bridges the ancient and the contemporary, the lyrical and the political. A prolific writer, he has authored more than twenty books, encompassing poetry in its diverse forms—lyrical, satirical, and children’s verse—alongside narrative works and literary translations. His poetry, infused with a deep ecological consciousness and a reverence for indigenous traditions, interrogates humanity’s relationship with language, nature, and identity.

His latest poetry collection, “Pero el mar no es de fiar” (2023), showcases a selection of new and previously published poems, reinforcing his place as one of the most thought-provoking poetic voices from Latin America. However, his literary pursuits are not confined to poetry alone. As a translator, he has embarked on an ambitious and groundbreaking project: a Spanish verse translation of the Popol Wuj, titled “El Popol Wuj desde el antropoceno”, offering a cosmopolitical perspective on the foundational text of the K’iche’ Maya civilization.

A PIONEER OF POETIC EXPRESSION IN YUCATÁN

Fer de la Cruz’s impact on the literary and cultural landscape of Yucatán extends beyond his written work. As a founding faculty member of the School of Creative Writing at the State Center of Fine Arts, he has nurtured and mentored a new generation of poets and writers. His commitment to democratizing poetry led him to introduce open-mic poetry readings to Yucatán, hosting a weekly event from 2008 to 2013, providing a platform for emerging voices in the region.

His poetry has transcended borders, with invitations to participate in numerous poetry festivals in France, Cuba, the United States, and various parts of Mexico, where his readings resonate with audiences drawn to his evocative and socially conscious verse.

ACADEMIC PURSUITS: POETRY, ORALITY, AND COSMOPOLITICS

Currently pursuing a PhD in Spanish at the University of California, Irvine, Fer de la Cruz is deeply engaged in exploring the intersections of indigenous poetics, orality, and cosmopolitics. His dissertation, “Múul kuxtal: Cosmopolítica y oralidad en la poesía maya contemporánea,” examines the evolving role of contemporary Maya poetry as a site of resistance, cultural reclamation, and ecological philosophy. With a master’s degree from Ohio University, he brings a unique transdisciplinary approach to his academic and creative work, positioning him at the vanguard of scholarship on indigenous literatures.

CH’AJ: THE DROPLET AS A METAPHOR FOR LIFE

Among Fer de la Cruz’s many poetic contributions, “Ch’aj: Drop of Life” stands out as a powerful meditation on water—its sanctity, its exploitation, and its enduring essence. Through these verses, he delves into the forgotten language of nature, questioning the human tendency to devalue what sustains us.

“Nothing”

In this poem, Fer de la Cruz explores the linguistic erasure of water, contemplating how different beings might name a single body of water—from the fish and the jaguar to the rain and the sun—only for humanity to reduce it to “nothing.” The poem exposes the violence of naming and misnaming, as natural spaces are dismissed as mere waste or puddles, revealing how language itself can contribute to environmental degradation.

“Drop of Life”

Here, the poet traces the journey of a droplet—ch’aj in Yucatec Maya—through time and space, highlighting how it remains indifferent to human destruction yet continues its inevitable cycle of renewal. The refrain of “ch’aj”, repeated rhythmically, evokes the continuity of water despite contamination and displacement, a poetic invocation of resilience and sacred interconnectedness.

Through these verses, Fer de la Cruz revives the voices of the elements, urging readers to listen to what nature has always spoken, yet humans have failed to hear.

A LEGACY OF RESISTANCE AND RECLAMATION

Fer de la Cruz’s work embodies a profound commitment to poetic resistance. Whether through his translations of ancient texts, his original poetry, or his academic endeavors, he continues to challenge dominant narratives, reclaiming indigenous knowledge and cosmologies that have been systematically silenced.

In an era of climate crisis and cultural homogenization, his voice emerges as a bridge—between past and present, between word and world, between erasure and remembrance. Through his poetry, the water speaks again, and in listening, we are reminded of what it means to belong to the earth.

Anna D’Auria, a distinguished Italian author and educator, stands as a literary luminary whose works echo with themes of resilience, equality, and hope. With a deep passion for classical literature and a profound sense of social responsibility, Anna has dedicated her career to championing the rights of women and children through her powerful narratives and poetry.

A SCHOLARLY BACKGROUND AND LITERARY EXCELLENCE

Anna’s academic foundation in classical studies informs her distinct approach to storytelling. As a Latin and Greek teacher in the province of Naples, she masterfully integrates the motifs of ancient civilizations with contemporary social issues. This unique synthesis has earned her widespread recognition, including participation in the prestigious Sanremo Writers 2023 and the Turin Book Fair.

Her literary achievements have garnered nominations for the Premio Strega Poesia in both 2023 and 2024 for her poetry collections I Colori di Kiev and Cristalli. L’anima delle Donne. These works are a testament to her ability to weave lyrical artistry with poignant social commentary.

A CATALYST FOR SOCIAL CHANGE

Anna’s commitment to social causes extends beyond her writing. Actively collaborating with organizations such as Lions, Fidapa, and Word Woman Talent System, she advocates for peace, freedom, and the eradication of violence. Her writing serves as both a mirror and a call to action, addressing pressing global issues such as sexism, child marriage, and the impacts of war.

In her award-winning novel Mala Jin. Tulipani nel Cemento, Anna captures the struggles and sacrifices of Kurdish women, shedding light on their courage amidst adversity. This groundbreaking work has been celebrated at conferences, schools, and even the Italian Chamber of Deputies, underlining its impact on both literature and activism.

A LEGACY OF ACCLAIMED WORKS

Anna’s literary repertoire is vast and impactful, with each work addressing a different facet of the human experience:

• “La Rosa Bianca di Izmir” delves into the harrowing issue of child brides, winning accolades like the Litterae Fiorentine Critics’ Award.
• “Trema la Vita” explores the resilience of women rebuilding their lives post-disaster and has been adapted into a theatrical production in Brindisi.
• “I Colori di Kiev” advocates for peace amidst the turmoil in Ukraine, earning prestigious honors such as the Borghi della Lettura Prize and the Pino Daniele Award.

Her upcoming novel, Nayef e Norah. L’Amore non tace, set to debut at Sanremo Writers 2025, narrates the poignant story of twin siblings divided by the Palestinian-Israeli conflict. This deeply introspective work highlights themes of familial reconciliation, the human cost of division, and the enduring hope for peace.

HONORS AND INTERNATIONAL RECOGNITION

Anna’s contributions to literature have been widely recognized by esteemed institutions, including the Treccani Publishing House and the International Universum Academy in Lugano, which named her Honorary Academic. Her works have been translated into Romanian and featured in international journals, further expanding her influence.

She has received numerous awards, including the International Oscar Wilde Award, the Grand Award for Excellence, and multiple accolades for her novels and poetry collections. Her works often inspire educational initiatives, such as high school writing competitions, ensuring that her literary legacy continues to shape future generations.

THE WRITER AS AN ADVOCATE

Through her roles as testimonial, patron, and jury member at cultural events across Italy and beyond, Anna embodies the transformative power of literature. Whether through her poetic advocacy for peace in Ukraine or her stories of women’s resilience, her voice resonates with a universal call for justice, compassion, and unity.

Anna D’Auria’s literary journey is a testament to her unwavering dedication to both art and humanity. Her stories and poetry transcend borders, inspiring readers to confront societal injustices and dream of a better world. As she continues to write, teach, and advocate, Anna remains a beacon of hope and a champion of voices too often unheard.

Her works remind us that literature is not just a reflection of society—it is a powerful tool to shape it. Through her eloquence and empathy, Anna D’Auria leaves an indelible mark on the world of letters and beyond.

Banani Bably, a distinguished writer and academic, hails from the vibrant literary and cultural tapestry of Bangladesh. Her eloquence and depth in storytelling have found a home in numerous prominent Bengali publications across the globe, including Weekly Bichitra and Vorer Kagoj in Dhaka, Probashi in New York, The Weekly Bangla Mail in Toronto, and several other renowned outlets. Her contributions to literature exemplify a harmonious blend of cultural richness and intellectual rigor.

A Journey of Words

Banani’s debut work, Bangladesh Tomari Jonno, published by Apon Alo in February and August of 2021, marked the beginning of her literary voyage. This poignant book resonated deeply with readers in Bangladesh and beyond. Following this, she authored Dr. Benu Prasad Barua: Biography of a Regional Scholar, a tribute to a visionary academic. Initially published by FriesenPress in Canada in 2021, this significant biography was later republished in Bangladesh in 2023.

In addition, her book Shantibahinir Shathe Koidin abong Kichu Valobashar Golpo captured the essence of love and compassion through vivid storytelling, published once again by Apon Alo in Chittagong. The year 2023 saw her literary footprint expand further with the release of Kothopokothon: Shobuj O Onyesh, published by Srabon Prokashoni. These works, diverse in theme and voice, reflect Banani’s ability to capture the intricacies of human life and the world around her.

Currently, Banani is immersed in editing a manuscript titled Rajnity O Shongbidhan Pronoyon: Varot, Pakistan abong Bangladesh. Written by Dr. B. P. Barua and translated by Anish Das Apu, this work promises to delve into the complex political and constitutional history of South Asia, showcasing her intellectual curiosity and commitment to scholarship.

A Scholar and a Professional

Banani’s academic achievements are as remarkable as her literary contributions. She earned her Bachelor of Social Science (BSS) with honors and a Master of Social Science (MSS) in sociology from the prestigious University of Chittagong in Bangladesh. Later, she pursued further education and obtained a Bachelor of Arts (BA) in sociology from the University of Toronto, Canada. This extensive academic background underpins her nuanced perspective and informed voice in both literature and social discourse.

Passion Beyond Writing

A woman of multifaceted interests, Banani has a deep love for nature, animals, and books, which profoundly inspire her work. Her ability to find beauty and meaning in everyday life enriches her narratives, creating a unique resonance with her audience. Beyond writing, she channels her dedication to humanity by working in the mental health sector for a non-profit organization in Canada, making a tangible difference in the lives of those in need.

Legacy and Impact

Banani Bably’s journey is a testament to resilience, cultural pride, and an unwavering commitment to intellectual and creative pursuits. From penning heartfelt narratives to exploring sociopolitical histories, she bridges the gap between cultures, geographies, and generations. Her literary and academic contributions continue to inspire readers and learners worldwide, solidifying her place as an influential voice in the global Bengali community.

Banani Bably’s work is not just an expression of her talent but also a beacon of hope, compassion, and cultural dialogue, reminding us of the enduring power of words to connect and transform.

Jyoti Nair, a postgraduate in Political Science, is an accomplished educator who blends her academic expertise with a passion for cultural and literary pursuits. With a career rooted in teaching, she has consistently gone beyond the traditional educator’s role, making significant contributions to the world of arts, culture, and literature.

CULTURAL CONTRIBUTIONS

Jyoti’s dedication to the arts is reflected in her active involvement in organizing cultural events. Her knack for choreography earned her a prominent role in the International Children’s Theatre Festival, where her creativity shone through innovative performances. Additionally, she has conducted impactful seminars for teachers, fostering professional development and encouraging a collaborative learning environment. As the Chief Editor of her school magazine, she continues to inspire young minds by curating and showcasing their creative talents.

LITERARY PURSUITS

Jyoti Nair’s literary journey is marked by her poetic talent and storytelling prowess. Her works, a harmonious blend of introspection and creativity, have been recognized and celebrated across various platforms. She has participated in virtual poetry events, winning accolades for her heartfelt compositions, and her poems have been published in Plethora Blogazine and other esteemed publications by Chrysanthemum Chronicles.

Her literary contributions include participation in several anthologies, each showcasing her ability to capture profound emotions and themes:

• ‘The Aniconic Cosmic Dancer: Verses of the Divine’ – A poetry anthology celebrating spirituality and divinity.
• ‘Letters to the Flautist: The Unaddressed Epistles’ – A collection of poetic expressions steeped in depth and longing.
• ‘Poems from the Kitchen’ – An anthology that intertwines the essence of culinary experiences with poetic artistry.
• ‘Monochrome Verses’ – A Coffee Table Book reflecting poignant poetry.
• ‘When Goddesses Walked the Earth’ – A short story anthology celebrating the divine feminine, published by Chrysanthemum Chronicles.
• ‘A Call From Beyond’ – An audio poetry anthology, highlighting her versatility in voice and verse.
• ‘Love & Longing’ – An international poetry anthology published by Kavya Kumbh Publishing Consultants (KKPC), exploring the universal themes of affection and yearning.

A BEACON OF INSPIRATION

Jyoti Nair’s journey is a testament to the power of perseverance and passion. Balancing her role as an educator with her creative pursuits, she exemplifies how art and academia can intersect to inspire and transform lives. Whether through her cultural endeavors, poetic expressions, or editorial expertise, Jyoti continues to leave an indelible mark on the spheres she touches.

Her multifaceted contributions reflect her unwavering commitment to nurturing creativity, inspiring minds, and fostering cultural and literary excellence. As she continues her journey, Jyoti remains a beacon of inspiration, showcasing the profound impact of an educator who leads with passion and purpose.

Irma Bacci is a devoted mother who has transformed her profound grief into a mission of cultural preservation and inspiration. As the mother of Gabriele Galloni—a brilliant contemporary poet whose life was tragically cut short at the age of 25—Irma tirelessly advocates for her son’s poetic legacy, ensuring that his words and vision resonate far beyond his time.

A Voice That Echoes Beyond the Years

Gabriele Galloni, born on September 6, 1995, in Rome, displayed an extraordinary connection to the arts and language from an early age. By the age of two, he was already piecing together words, and by fourteen, he began composing poetry. Gabriele’s talent blossomed under the mentorship of Antonio Veneziani, and between 2017 and 2019, he published five significant works, including Slittamenti and L’estate del mondo. His poetry delves into themes of existence, love, and the transient nature of life, capturing emotions in vivid yet subtle tones.

Even after his passing on September 6, 2020, Gabriele’s work has continued to inspire readers. Posthumous publications, such as Bestiario dei giorni di festa (2020) and Sulle rive dei corpi e delle anime (2023), have further cemented his place in contemporary literature.

Honoring a Son’s Legacy

Irma Bacci’s journey is one of profound courage and devotion. Through her efforts, Gabriele’s poetry has reached global audiences, and his contributions to literature have been celebrated by institutions and communities worldwide. Among the numerous accolades Gabriele received are the dedication of a room in the Corviale Municipal Library in Rome and a commemorative plaque in Piazza Cicetti, Trullo, where he spent much of his childhood.

Irma actively participates in literary festivals, including the Panorama International Literature Festival, where she delivers her son’s poetry with heartfelt passion. Her presence at such events is a testament to her unwavering commitment to keeping his memory alive.

The Foundation of La Traccia – Gabriele Galloni APS

In February 2024, Irma took her dedication a step further by establishing the non-profit association La Traccia – Gabriele Galloni APS. This organization aims to:

• Promote Gabriele’s poetry and ethical legacy.
• Engage young people through school initiatives and academic studies centered on his work.
• Empower youth in suburban areas by providing access to cultural opportunities.
• Decentralize poetry, bringing it to provincial and less urbanized regions.

The association’s founding members include a diverse group of intellectuals, artists, and cultural advocates, all united in their mission to perpetuate Gabriele’s work and ideals.

A Universal Message Through Poetry

Gabriele Galloni’s poetry, characterized by its simplicity and depth, continues to touch hearts worldwide. His words, such as “Break the rock, and water will come out. You will be able to drink it; think of a return to the matter of the last day”, reflect a profound understanding of human existence.

Irma Bacci’s role as the president of La Traccia is pivotal in ensuring that Gabriele’s vision remains a source of inspiration for generations to come. Through her tireless efforts, she has become a beacon of resilience and an advocate for the transformative power of art and poetry.

Irma Bacci’s journey exemplifies a profound truth: through love and perseverance, the beauty of art can transcend loss, creating a legacy that endures forever.

Miriam Jaramillo Casierra, a Colombian-born philosopher, poet, and cultural ambassador residing in Spain, has dedicated her life to using literature as a powerful tool for fostering peace, humanity, and cultural enrichment. With a degree in Philosophy and Literature from the University of Nariño (1986), Miriam has been a prominent figure in the literary world, actively participating in various literary competitions in Colombia, the United States, and Spain since her youth.

A Literary Legacy

In 2017, Miriam published her debut poetry collection, Sueños y tristezas del Alma (Dreams and Sorrows of the Soul), marking the beginning of her formal journey as an author. Her poetry, rich in emotion and reflection, has been featured in several prestigious anthologies, including:

• The VII Festival of Poetry Grito de Mujer in Spain (2017).
• Multiple editions of the International Festival 100 Poets in May in Vitoria-Gastéiz, Álava (2017, 2018, 2021, 2022).
• Lecturas Urgentes, published by Ediciones Grainart (Colombia, 2018).
• Humanity International Magazine (Nigeria, 2021).
• River of Love: Multilingual International Anthology for the children of Nigeria (2022).
• Anthology for Humanitarian Aid of the Red Cross (2023-2024) by the International Chamber of Writers (Switzerland).
• A Call for Peace II, a written offering to His Holiness Pope Francis by CIESART Global (2024).

Her poetry transcends borders, weaving themes of love, sorrow, and the pursuit of harmony into a tapestry of global understanding and shared humanity.

Recognitions and Honors

Miriam’s work has earned her numerous accolades from cultural and literary institutions worldwide, highlighting her contributions to promoting culture and peace. Some of her most notable honors include:

• Honorary Doctorate from the World Academy of Art and Literature: Casa Poética Magia y Plumas (May 2022).
• World Literature and Digital Leadership Award of the 21st Century (September 2022).
• Peace Statuette of the Ibero-American Trade Network (May 2022).
• Ambassador of Peace, awarded by the International Chamber of Writers and Artists (Spain).
• Ambassador of Peace and Humanities in Literature by Lido dell’Anima, Rome (August 2024).
• Peace and Humanity Ambassador by IFCH (February 2024).
• International Women’s Peace Award by the Ibero-American Women’s World Forum (March 2024).
• Sphinx for Excellence Award by Lido dell’Anima (July 2024).
• Recognition from CC Utopía Poético Universal of the World Peace Council and the International Program of Virtual Lifetime Tributes (Mexico, September 2024).

A Mission for Global Peace Through Poetry

Beyond her accolades, Miriam’s work reflects her unwavering commitment to fostering global peace and understanding. Her poetry has become a bridge between cultures, resonating with readers across continents and advocating for a world united by shared values of humanity, love, and harmony.

A Promising Future

Currently, Miriam is completing her second poetry collection, furthering her literary contributions. With her poetic voice continuing to inspire, she stands as a beacon of hope, creativity, and unity in an increasingly fragmented world.

Through her writings and advocacy, Miriam Jaramillo Casierra embodies the power of literature to transcend barriers, creating a legacy that celebrates peace and the shared beauty of the human experience.