The restart of the Race for the cure
On 5-8 May 2022, the XXII edition of the Race for the cure took place in Rome, in the historical setting of the Circus Maximus, organised by Komen Italia, under the High Patronage of the President of the Italian Republic. At this link, the official video of this XXII edition:
More than 50 thousand people took part in the Race of Rome; in four days, 1400 free services for the early diagnosis of breast cancer and other female pathologies were provided in the Health Village, especially for women in socially fragile conditions, including some Ukrainian refugees. The Race for the cure is the world’s largest event to raise awareness of breast cancer prevention and counteract the delays created by the pandemic. The pink tide of participants took more than 40 minutes to cross the starting line and broke a special record.
As always, the protagonists of this special event of health, sport and solidarity were the ‘women in pink’ – women who have personally faced breast cancer – who with their testimony have contributed over the years to a radical cultural change in the approach to the disease.
The Mayor of Rome Roberto Gualtieri and the President of the Lazio Region Nicola Zingaretti, together with the US Ambassador to the UN agencies Cindy McCain, Prof. Riccardo Masetti, President of Komen Italia and the godmothers of Komen Italia Maria Grazia Cucinotta and Rosanna Banfi, officially kicked off the traditional 5 km run and 2 km walk. Also present at the start were the Councillor for the Environment of the Municipality of Rome Sabrina Alfonsi, the Councillor for School, Training and Work, Claudia Pratelli, the Director General Organisation Ministry of Culture Marina Giuseppone, Violante Guidotti Bentivoglio, CEO of Komen Italia, and Prof. Giovanni Scambia, Scientific Director of the Fondazione Policlinico Universitario A. Gemelli IRCCS, together with corporate partners Duarte Dias and Barbara Saba of Johnson and Johnson, Monica Cerroni of the FASDA Fund, Fabio Fossati of the AF group, Simonetta Soverini of Unisalute, Alberto Stanzione of Pfizer, Patrizia Pavone of Roma Capitale, volleyball champion Andrea Lucchetta with the General Secretary of the Italian Volleyball Federation Stefano Bellotti and many other personalities from the world of journalism, television, the web, sport, culture and for the youngest ones the Winx.
The Health Village, coordinated by Prof. Daniela Terribile (Vice-President of Komen Italia) and Dr. Alba Di Leone, was visited by Health Minister Roberto Speranza, and was carried out in collaboration with the Fondazione Policlinico Universitario A. Gemelli IRCCS.
Since 2000 to date, thanks mainly to the Race for the Cure, Komen Italia has been able to invest more than 21 million euros to set up more than 1,000 projects for the protection of women’s health in Italy.
The Race will pass through 6 other Italian cities: Bari (13 – 15 May), Naples (20 – 22 May), Bologna (16 – 18 September), Brescia (23 – 25 September), Matera (30 September – 2 October) and Pescara (7 – 9 October).
As for the 8 May Race in Rome, first across the line in the women’s category was Elisa Palmero of C.S. Esercito in 17’06”, followed by Sara Carnicelli of Athletica Vaticana A.S.D. in 17’09” and Angelina Cavalieri of Podistica Solidarietà in 19’24”.
In the men’s category: first classified Riccardo Passeri of TZ Fitness S.S.D.ARL in 15’44”, Domenico Liberatore of Podistica Solidarietà in 16” and Lorenzo Rieti of ASD Atletica La Sbarra. More and more women in pink participated individually and also in teams. Stefania Pomponi of Podistica Solidarietà crossed the finish line first in 21’01”, followed by Ilaria Piscitelli of G.S. Cat Sport Roma in 21’02” and Michaela Gessini of Italia Marathon Club SSDRL in 24’19”.
Once again this year, the Race for the Cure was held with the patronage and participation of the Lazio Region, Roma Capitale, C.O.N.I., Fondazione Policlinico Universitario Agostino Gemelli IRCCS, Italian Army, Carabinieri, National Fire Brigade, Italian Football Federation, Italian Volleyball Federation, Italian Athletics Federation, Italian Basketball Federation, Italian Golf Federation, Italian Rowing Federation, Italian Cooks Federation and Rai Social Responsibility.
The event is made possible by the precious collaboration of hundreds of volunteers and thanks to the generous support of numerous companies sensitive to health and prevention issues. The main partners are: Amgen, Fasda, Ferrovie dello Stato Italiane, Gilead, AF Group, Johnson & Johnson, Pfizer and Unisalute. Aveeno and Biafin are partners in the ‘Women in Pink’ area. Official suppliers Hertz and Lete. The installation of the Emotional Room this year was made possible thanks to the contribution of Valmontone Outlet. The technical organisation of the race is, as usual, entrusted to GSB RUN (Gruppo Sportivo Bancari Romani).
Fundamental also this year was the support of the Press, Advertising, TV and Web that played a role in promoting the Race for the Cure.
Join the next Race for the cure in Bologna (16 – 18 September), Brescia (23 – 25 September), Matera (30 September – 2 October) and Pescara (7 – 9 October)!
For information www.komen.it
For donations and registration: www.raceforthecure.it
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The Palazzo della Pietà in Venice hosted OMNISCIENT the exhibition of Papa’s photographic works and Barceló’s poems, curated by Mac Art, included in the Amedeo Modigliani Foundation Biennale. On the occasion of this exhibition, the commemorative book OMNISCIENT was published by the Setteponti Publishing House, with the preface by Paolo Giansiracusa and the afterword by Michele Lasala, where the various photographs and poems of both artists are collected. In the first part we find the twelve works of Omniscient accompanied by the twelve poems of Barcelo and in the second part, a tribute to the ten-year career of the artist Filippo Papa with the publication of ten works, one for each career year, always accompanied by poems unpublished by the poet Barcelo.
“Filippo Papa and Joan Josep i Barcelo travel in unison on the curvilinear paths of the universe. They adopt the same synthesis and love the musicality of silence. One captures images that push the gaze toward the Empireus, the other “rebuilds in the ceiling of the sky with every heartbeat”. It would seem that their poetics are entirely constructed by admiring the infinity that dominates our presence. Both look upwards as if looking for a trajectory that pushes the soul towards the place where everything is destined to converge. In this regard, Barcelo weaves verses as light as air, as burning like fire, and reminds us of everyone’s destiny in “asking only to die in the belly of the dome”.
“Filippo Papa and Joan Josep Barcelo, the photographer and the poet, the Sicilian and the Catalan, united in a journey called beauty. Moved by the desire to grasp, in the most varied forms of things, the most intimate essence of being, the two brave wayfarers unleash the weapons they know best. Papa does this by using light, with which he rewrites and describes the order of the world and admirably discloses that silent grammar that lies, eternal, under the heavy blanket of the visible. Barcelo does this by using the word, with which he illuminates, like a powerful beacon, the darkest and most hidden corners of the spirit of man. Two languages apparently distant from each other, but which actually show and prove to be basically the same thing. In fact, photography and poetry are both forms capable of capturing, imprisoning, freezing and crystallizing in an image or in a word the fleeting moment, the instant, the moment; what by nature is destined to live in a short space of time and then soon be swallowed up in the infinite darkness where everything is cancelled out. But art, photographic and poetic, has the strength to steal the moment that is about to dissolve from its evil destiny. At that moment there is the secret of the world, there is the whole sense of being. It is that light that pierces the darkness and illuminates the conscience of man, and that art reveals precisely. An image that, in Papa’s wonderful photos, finds full concreteness in the elegant shapes of a dome pierced by a mystical ray of sunshine. Seen from below and from inside, this almost looks like a circle of light, surrounded by the deepest darkness that eats away and cancels the rest of the church. In Barcelo’s profound lyrics, however, takes on the appearance of those words that no one understands and understands, which however herald a possible tomorrow. In one way or another, the presence of the transcendent is felt in the captured moment; the presence of what is far beyond the narrow schemes of reason. Absolute knowledge, or omniscience, whose most perfect symbol is not by chance the circle, among the forms, the one that best expresses the Umgreifende, the all-embracing of Jaspersian memory, where the possible is understood as well as the impossible”.
The meeting is open to all. Special guests are “women in pink”, women who have faced or are experiencing breast cancer.
