Shura Oyarce, a remarkable artist hailing from Lima, embarks on an extraordinary mission within the realm of art: to capture the ungraspable, render the invisible visible, and give “a voice to silence.” Renowned critic, journalist, and sociologist Alberto Pellegrino beautifully encapsulates the essence of her work, which invites observers into a world rich with chromatic and fantastical forms that often evoke the wistfulness of childhood memories. Oyarce’s art emerges from the depths of human experience, bringing forth impulses and emotions that resist easy rationalization, inviting viewers to engage deeply with her creations.
One of her striking works is titled “fuoco / FIRE,” measuring 80×80 cm and employing a mixed technique that showcases her innovative approach to materiality and texture. This piece is crafted from woven fabrics that immediately evoke the artistry of Alberto Burri, who is celebrated for his groundbreaking use of materials and the creation of unique textures.
The visual impact of “fuoco / FIRE” lies not only in the vibrant colors and intricate patterns but also in the intentional design of the fabrics, which are arranged to leave large gaps between the pieces. This method creates a visually striking effect that invites contemplation, as the empty spaces resemble holes, imbuing the work with a sense of incompleteness and vulnerability. Each fabric piece appears to be waiting, a metaphor for potential yet to be realized.
The connection between the fabrics is emphasized through ropes that tie them together. This detail adds a layer of complexity and depth, transforming the work into a dynamic interplay of elements. The ropes serve not only as a structural necessity but also symbolize the interconnectedness and interdependence of the various components of the piece. This intertwining of materials and the intentional empty spaces craft a visual dialogue that captivates the viewer’s attention, inviting them to explore each detail and reflect on the broader meanings embedded within the artwork.
Linking the work to the theme of “Agni,” which translates to “fire” in Sanskrit, we can interpret the gaps and woven fabrics as a symbolic representation of fire and its transformative essence. The empty spaces may signify areas where fire has consumed matter, leaving behind traces of both destruction and rebirth. Meanwhile, the woven fabrics evoke the image of flames wrapping around and intertwining, generating new forms and meanings in the aftermath of transformation.
In this context, “fuoco / FIRE” transcends mere visual representation; it becomes a visual meditation on the power of fire to destroy and create, to transform and regenerate. Fire, as a primordial force, holds the capacity to bring about both devastation and renewal, a duality that Oyarce captures powerfully and evocatively through her art.
Shura Oyarce Yuzzelli’s work invites us to reflect on the complexities of existence, reminding us that within the interplay of destruction and creation lies the potential for profound transformation. Her art stands as a testament to the beauty and intricacy of life’s cycles, urging us to engage with the world around us and to seek meaning amid the chaos.
