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Global Nexus series of conferences on arts, literature and academia

Call for Papers: Global Nexus Series Conference on “Writing for the Earth: The Role of Nature in Contemporary Literature”

The Writers Capital International Foundation is excited to announce the first Global Nexus Series Conference, centered on the theme “Writing for the Earth: The Role of Nature in Contemporary Literature”, scheduled to take place on Sunday, 1st December 2024. This groundbreaking event is an extraordinary opportunity for academicians, researchers, and postgraduate students from around the world to present their scholarly papers to a global audience of experts and enthusiasts.

This is a call to all academic professionals who are passionate about literature, nature, and the environment to contribute to a significant dialogue. The accepted papers will not only be presented but will also have the chance to be published in renowned academic journals and featured in prestigious publications.

Why Participate?

  • Global Audience: Present your work to scholars, writers, and researchers from around the world.
  • Publication Opportunities: Accepted papers will be considered for publication in reputed international journals.
  • Networking: Connect with renowned academics and like-minded individuals across disciplines.
  • Professional Growth: Elevate your research profile and expand your academic reach.

Key Details:

  • Conference Date: Sunday, 1st December 2024
  • Mode: Virtual (Via Zoom)
  • Last Date for Paper Submission: November 15, 2024
  • Submission Email: wcifcentral@gmail.com

Submission Guidelines:

  1. Eligibility: The call is open to academicians, researchers, and postgraduate students in various disciplines, especially those working within the fields of literature, arts, and environmental studies. This is not limited to arts and literature alone—researchers from all subjects are invited to submit papers.
  2. Paper Theme: Submissions should focus on the overarching theme, “Writing for the Earth: The Role of Nature in Contemporary Literature,” though papers can explore diverse interpretations of nature in relation to different literary traditions, genres, and eras. Ecocriticism, environmental humanities, and comparative studies between different literary landscapes are highly encouraged.
  3. Presentation Time: Papers should be written and structured to allow for a presentation of approximately 5 minutes (Approx. 2000 words). The focus is on concise, impactful delivery, and papers should reflect a clear, targeted argument.
  4. Academic Standards:
    • Papers should follow the APA citation format for all references and academic standards.
    • The length should be appropriate for a 5-minute presentation (typically around 500-700 words).
  5. Submission Format:
    • Submit your paper in PDF or Word format.
    • Include a brief biography (100 words or less) detailing your academic background and any notable publications or achievements.
    • Attach a high-resolution photograph for promotional purposes.
  6. How to Submit:
    • Email your paper to wcifcentral@gmail.com with the subject line “Global Nexus Series Paper Submission.”
    • In the body of the email, please include your full name, title, affiliation, and contact details.
    • Attach your paper, biography, and photograph.
  7. Selection Process: Papers will be reviewed by an expert committee of scholars. Accepted applicants will receive a confirmation email, along with further instructions for the conference presentation.

Important Reminders:

  • Ensure your paper is an academic research paper, not a general article.
  • All submissions must strictly adhere to the APA style guidelines. Please refer to the attached document for reference.
  • Only submissions made by November 15, 2024, will be considered for review.

How to Enquire:

For any questions regarding paper submission or the conference, please email us at wcifcentral@gmail.com. We are more than happy to provide guidance on the process and help ensure your submission is prepared according to the guidelines.

Join the Global Academic Movement:

Be part of an event that will bring together the brightest minds in academia, uniting to explore the intersection of literature and nature. As a contributor, your voice will resonate on a global platform, contributing to a meaningful dialogue about the environment and its critical role in shaping contemporary thought.

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Poem by Mohamed Azumee 

Περιστρεφόμαστε

Περιστρεφόμαστε εδώ κι εκεί χωρίς ουσία.
Μακρινό όνειρο μοιάζει η ευτυχία.

Περιστρεφόμαστε σα να ‘μαστε σπουδαίοι
πολύξεροι μα κανένας μας δεν φταίει.

Περιστρεφόμαστε ορθώνοντας το “Εγώ” μας
στην ομίχλη της ζωής, κάνοντάς το πιο δυνατό.

Περιστρεφόμαστε λέγοντας το πιο μεγάλο ψέμα
για το φίλο μας, το διπλανό μας, για Εσένα.

Περιστρεφόμαστε εγώ, εσύ κι οι άλλοι
αλλόφρονες στου ανέμου την παραζάλη.

Περιστρεφόμαστε δείχνοντας πόσο μας θαυμάζουν
άλαλο το ακροατήριο, χλωμά πρόσωπα κοιτάζουν.

Περιστρεφόμαστε αρπάζοντας ότι μπορούμε
κοινωνική απληστία οτιδήποτε κι αν βρούμε.

Περιστρεφόμαστε για να βολευόμαστε
τον ύπνο του δικαίου να κοιμόμαστε!

Περιστρεφόμαστε για τ΄ άθλια επιτεύγματα μας
καιρός να δούμε τα κρίματά μας!

Γιώργος Σαρδέλης

_________________________________________________________

We spin

We spin as if we are important,
All-knowing, yet no one is to blame.

We spin, raising our “Ego,”
In the fog of life, making it stronger.

We spin, telling the biggest lie
About our friend, our neighbor, about You.

We spin, you, I, and the others,
Frenzied in the whirlwind of the wind.

We spin, showing how admired we are,
The audience mute, pale faces staring.

We spin, grabbing whatever we can,
Social greed—anything we find.

We spin, to make ourselves comfortable,
Sleeping the sleep of the just!

We spin for our miserable achievements,
It’s time to see our sins!

Poem By
Giorgos Sardelis

About the Poet

Giorgos Sardelis, an economist, professor, writer, and poet from Thessaloniki, seamlessly integrates his professional expertise with his literary passions. After studying economics at the University of Macedonia, he has built a successful career as a financial consultant, business administrator, and media financial analyst, while also serving as a professor of economics. Alongside his career, Sardelis is deeply committed to social causes, advocating for human welfare and inclusivity. He explores personal development through his role as a self-awareness teacher and consultant. His literary work spans lyrical prose and poetry, with his bilingual collection Steps of Life receiving recognition at the Panorama International Poetry Festival 2023. Sardelis is also actively involved in various cultural associations, such as the Thessaloniki Chamber of Commerce and the Panhellenic Union of Writers. He also actively participates in various cultural associations, such as the writers Foundation Capital and the “Parnassos” Literary Association.

 

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Πανδημία αγάπης Poem by Demosthenes Davvetas

Σε θέλω γι’αυτο που ξέρω ότι είσαι
Γι’αυτο που δεν ξέρω Η μου κρύβεις
Γι’αυτο που αγνοείς Εσυ για μένα
Που θ’ανακαλυψεις και
Δεν θα μου πεις
Που θα φοβηθώ Ότι μπορείς να γίνεις Η ότι ήσουν
Έν γνώσει
Έν άγνοια σου
Και έν άγνοια μου Σε θέλω
Γι’αυτο το κατάλευκο Και κατάμαυρο
Που είσαι
Που με γεμίζεις
Που με ποτίζεις
Γι’αυτο το μπλε
Που με τυλίγει
Και γκριζάρει την όραση μου
Την θολώνει ελαφρά Την κάνει εργαλείο Μιας άλλης ματιας Του κόσμου
Και του εαυτού μου.

______________________________________________

Pandemic of Love

I want you for what I know you are,
And for what you hide from me, unseen.
That’s why you turn away,
To discover something in the silence
That you’ll never reveal.
I fear what you may become,
Or perhaps, what you once were—
Known to you, yet unknown to me.
Still, I want you.

It’s the white and black of your presence,
The spaces you fill,
The moments you pour into me,
Like water, quietly shaping.
And then, the blue,
Which wraps around me,
Dimming my vision,
Blurring the world,
And making me see through a different eye—
Yours,
And my own.

Poem & Painting by
Demosthenes Davvetas

About the Poet

Demosthenes DavvetasDemosthenes Davvetas, born in Athens, is a distinguished academic, poet, writer, and artist with an extensive career spanning multiple disciplines. He holds a doctorate in Aesthetics from the University of Paris VIII and has taught at prominent institutions such as the University of Paris IV, IESA Paris, the National and Kapodistrian University of Athens, and the University of the Peloponnese, among others. His academic focus includes modern art, poetry, and the philosophy of art, and he has delivered seminars at esteemed schools like École des Beaux-Arts in Paris and the University of Patras. A prolific writer, Davvetas has been contributing articles and essays to prestigious publications such as Art Forum, Art in America, Liberation, and Les Echos since 1982. His literary works encompass essays, poetry, novels, and short stories. Some of his notable publications in Greece include The End of Aesthetics?, Techno (Art)-Nihilism and Contemporary Art, The Two Lives of a Writer, and Dialogues: Personal Conversations with Great Contemporary Artists. His works have also been published internationally in French, Italian, and English, such as Alexander the Great: Son of Greece, Orestes or the Novel Without End, and In the Mirror of Orpheus. His writing blends philosophy, art, and literary expression, making him a highly regarded figure in both academic and artistic circles. His contributions to contemporary thought continue to shape discussions on aesthetics and modern art. For more information, visit his website: www.ddavvetas.wordpress.com.

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DHANUSHKODI - THE GHOSTLY SEATOWN WITH OUTLANDISH CHARM By Abhilash Fraizer

Dhanushkodi – The Ghostly Seatown With Outlandish Charm

The loco pilot could see absolutely nothing. The only sounds that could be heard were the fierce growling of the winds and the intimidating roar of the seas. The lights and the signal had gone out in the middle of that ominous, chilly night in December 1964. The destination, Dhanushkodi Railway Station, was only a few hundred yards away. With no signal to guide him and no ray of hope to hearten him, the driver of Pamaban-Dhanushkodi Passenger drove the train ahead with 110 passengers and five railway staff including him.

A huge oceanic swish out of the blue! In the glimmering light of the crescent moon, he saw a gigantic tidal wave rising above them like a sea monster…

In a few seconds, the Passenger train submerged into the freshly formed deluge with its 115 passengers! The midnight of 1964 December 22 became a nightmare in history, turning a onetime flourishing township into a ghost town. On that deadly night, when a colossal super cyclone performed a monstrous death dance over the confluence point of the Indian Ocean and the Bay of Bengal at the southeast end of the Indian peninsula, around 1800 people lost their lives.

What culminated on that deadly night was the tragic conclusion of a depression that originated in the South Andaman Sea on 17 December 1964. The depression augmented and eventually turned into a devastating cyclone storm on 19 December. When it hit the seashore town of Dhanushkodi, it had an estimated velocity of 280 kilometers per hour! As it passed through the neighboring town, Rameshwaram, the cyclone triggered tidal waves of 8 yards in height.

Standing in the winds on the seashore of Dhanushkodi approximately six decades after the dreadful super cyclone washed across the ancient township, which once shone with a fairytale beauty, my heart was laden with an undefinable sorrow. Around me on that December evening was a ghostly scenic charm that resembled the netherworld, with the ruins trying to mumble out their old tales of lost glory.

Even while lying silent and subdued in memories of the past, the historic shoreland has an ethereal charm that no words can translate. The ruins of the Christian church, from where sacred chants once rose like the scent of incense, lay dilapidated and roofless like hands outstretched in a forlorn prayer. The altar of the church resembled a primeval cave where unseen doves fluttered their wings. I sharpened my ears: Does a strain of Gregorian chant rise from that mournful silence?

The water caught up in the two-foot diameter pit in front of the church tasted great! How could this strip of shoreline, sandwiched by two salty oceans, have sweet-tasting water? One thing was sure. The life in Dhanushkodi sixty years ago was indeed glorious. What astonished me was the information that Dhanushkodi had a functional higher secondary school in those days! It had a railway station, a post office, port offices, customs, textile shops, hotels, and more. Indeed, it was a well-developed and happening township.

Ferry services connected the ports for Dhanushkodi with Talaimannar village of Sri Lanka (in those days Sri Lanka was known as Ceylon). People and goods were transported across the sea on boats. A train service also existed between Dhanushkodi and Chennai Egmore.

For a recollected traveler, Dhanushkodi offers a peaceful retreat. The pure white shoreline of this ghostly township is always caressed by a serene breeze, which seems like performing reparation for its one-time atrocities that pummeled the shoreland. An ablution in either of the seas, the Indian Ocean, or the Bay of Bengal is a rejuvenating experience. I found the Bay of Bengal comparatively more serene and friendlier than the slightly belligerent Indian Ocean. So, along with the co-tourists, I took an ablution in the turquoise waters of the Bay of Bengal.

Dhanushkodi has a sacred myth behind its name. The word literally means ‘the tip of the bow.’ According to one legend, Lord Rama pointed the tip of his bow toward Lanka, where his spouse Sita was abducted by the Demon King Ravana of Lanka. A bridge was built to the direction over the Indian Ocean by the army of monkeys led by Lord Hanuman. This bridge, which is believed to still exist beneath the sea, is called Rama Setu (Rama’s Bridge).

Another legend is also parallelly prevalent, which argues that this underwater bridge was crossed by Adam, the first human, from Sri Lanka when he was expelled from Paradise. Hence, this bridge is also known as Adam’s Bridge. Sri Lanka is separated from Dhanushkodi shoreland only by a sparse distance of 31 kilometers.

As I was crossing the celebrated Pamban Bridge, one of India’s finest engineering splendors, which connects the Indian Mainland with Rameshwaram town, located on Pamban Island, I was thinking about the fierce courage of those two railway employees, who were hanging on the ruins of Pamban Bridge for about 12 hours while the devastating cyclone was raging across. What must have been that night in their memories and what tales must have they narrated to their grandchildren?

Meanwhile, four radio operators risked their lives to continue live broadcasting from Dhanushkodi and informing the world about the catastrophe. These bravehearts, who survived the night of doom, were later honored by the Government of India for their unparalleled dedication and courage. Dhanushkodi was later declared uninhabitable and earned the sobriquet, ‘Ghostly Town.’

Today, the white sandy expanse of the shoreland is speckled with the shacks of fishermen, earning their livelihood from the catches from the encircling seas. On that solitary night, I stood before one of the shacks, where a fisherman named Arumukhan fried sea fish on a queer stove made out of an old iron drum. The fish tasted satisfying on my tastebuds which were struggling to digest the sad truth of the ruined paradise at that splendid seashore where the moonlight, the seas, and the breeze met in an ethereal charm.

A melancholic, but poetic silence engulfed me as I boarded my car from Dhanushkodi. A chant rising from the Church, a lesson from Shakespeare’s plays rising from the classroom, a letterbox being opened with someone’s heartbeats recorded, a railway siren howling… from the distant past, beyond six decades, when the town was alive and brimming with life.

I turned around and looked back for one last time. The vast expanse of untranslatable outlandish charm lay half submerged in the darkness with untold tales.

Goodbye, Dhanushkodi! Rest in Serenity!

Article by
Abhilash Fraizer

About the Author

Abhilash Fraizer is an Indian author, poet, novelist, journalist, translator and advertising copy writer hailing from Kerala. A Post Graduate in English Language and Literature, Abhilash has authored 14 books and has written numerous poems, stories and articles for various international and Indian journals. His latest work is ‘Father, a collection of poems’, published globally by Wipf & Stock Publishers, Oregon, USA. His other renowned works in English include ‘The End of Wars’, a novel and ‘Everlasting Things are Incomplete’, a collection of poems. Dalamarmaram (The Rustle of Leaves), Paravakalude Vazhi (The Way of Birds), Raamazhayude Theerathu (On the banks of Night Rain), Sajalam (Aqueous) and Prapancha gaatha (The Ballad of the Universe) are some of his noted works in Malayalam, the official language of Kerala.

‘Prapancha gaadha’ won Kreatiff Silver Award for the second-best Novel in 2020. A recipient of multiple accolades, Abhilash has been awarded with KCBC (Kerala Catholic Bishops’ Council) Media Commission’s ‘Yuva Prathibha Award’ in 2014. His poem ‘Between the Islands’ was voted and enlisted among the best 100 poems in a global contest held by Poemhunter.com. A screen writer as well, Abhilash has written scripts for noted Sight and Sound Shows including ‘I Believe’ and ‘Ammamaram’, staged in a major venue in Kochi and were watched by over 50,000 people. He has also written scripts for various television programs and lyrics for about 50 songs, which have been recorded for various albums. He lives in Ernakulam, Kerala with his wife Sunitha and two sons Ezek and Izan.

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Global Nexus Series of conferences by Writers Capital International Foundation

Writers Capital Foundation Introduces Global Nexus Series of Conferences to Spark Global Change

Mysuru: The Writers Capital International Foundation has announced the launch of Global Nexus, a transformative series of international conferences designed to bring together educators, thinkers, and visionaries from around the world to drive meaningful change through academia. Founded by Preeth Padmanabhan Nambiar, a celebrated educationist and humanitarian, this initiative is set to revolutionize the intersection of intellectual discourse and real-world impact.

The Global Nexus series, an ambitious project of the Foundation, aims to unite scholars, educationists, and the general public in a shared mission to foster interdisciplinary collaboration and explore solutions to pressing global issues. While the Writers Capital International Foundation is known for its popular events such as the Panorama International Arts Festival, this new initiative promises to add greater depth to the Foundation’s commitment to humanitarian values, engaging communities worldwide in discussions that inspire real action.

Vision Behind Global Nexus

Global Nexus is not just another academic conference series. It seeks to create a platform for cross-disciplinary conversations that span beyond literature and the arts, delving into diverse fields of study. Through monthly virtual seminars, scholars will have the chance to present their research in concise, five-minute sessions, promoting impactful dialogue on a range of topics.

“Our goal is to spark ideas that lead to transformative actions,” said Preeth Padmanabhan Nambiar, Founder and CEO of the Writers Capital International Foundation. “We believe that academia must extend its reach, collaborating across disciplines to offer practical solutions for the challenges we face today.”

The series will also feature keynote speeches from globally renowned thought leaders, setting the stage for discussions that challenge the status quo and explore innovative approaches to critical issues.

Engaging the Global Community

Global Nexus is designed for both scholars and the public, encouraging open participation from all who wish to engage with groundbreaking ideas. The conference will serve as a bridge between academic knowledge and real-world application, offering members of the public the opportunity to interact with thought leaders and gain fresh perspectives on topics that shape the world.

“We invite individuals from all walks of life to be part of this intellectual movement,” said Irene Doura Kavadia, Secretary General of the Foundation. “This is a chance for everyone, not just academics, to engage in conversations that could change the way we view our future.”

A Step Toward Global Impact

Initially held virtually, the Global Nexus series will offer monthly Zoom-based seminars, with plans to expand to in-person events at select universities and colleges worldwide. This evolution into physical venues will provide deeper engagement and foster collaborative problem-solving on a more intimate level.

For educationists, Global Nexus represents a unique opportunity to present research on a global stage, engage with peers across disciplines, and be part of a movement that transcends conventional academic forums. For the general public, it offers a rare chance to connect with thought leaders and contribute to shaping the future through dialogue.

Leadership and Vision

At the helm of this visionary project is Preeth Padmanabhan Nambiar, a veteran academic and humanitarian leader with decades of experience in bridging the gap between intellectual pursuits and societal progress. Supported by Irene Doura Kavadia, who brings her expertise in international collaboration, the leadership team is poised to make Global Nexus a driving force for change in the academic world and beyond.

Speaking on the significance of this initiative, Johanna Devadayavu, Chief Controlling Officer of the Writers Capital International Foundation, stated, “Global Nexus is not just about gathering intellectuals; it’s about igniting the kind of dialogue that can spark real, measurable change. We are creating a platform that connects minds globally, with a clear focus on turning ideas into actionable solutions.”

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Global Nexus series of conferences on arts, literature and academia

Global Nexus: Igniting Change through Academia

In today’s rapidly evolving world, there is a pressing need for academia to take center stage in driving societal change. Recognizing this necessity, we have envisioned Global Nexus—a transformative series of international conferences aimed at uniting educationists, thinkers, and enthusiasts from around the globe. Hosted by the Writers Capital International Foundation, an organization spread across 87 countries, Global Nexus seeks to be a pioneering platform where the exchange of knowledge leads to meaningful impact on both academic and societal fronts.

At the heart of Global Nexus is the understanding that academia must move beyond traditional boundaries and embrace interdisciplinary collaboration. This initiative is not confined solely to literature and the arts but will extend across various academic subjects, fostering conversations that the world can derive inspiration from. By creating a bridge between intellectual discourse and real-world application, these conferences will play a pivotal role in shaping new paradigms and perspectives.

The Aim of Global Nexus
The goal of Global Nexus is simple yet profound: to inspire change through academia. We believe that when minds come together, powerful solutions emerge. This series of conferences will bring together renowned educationists, scholars, and thought leaders from diverse fields to share their research, insights, and experiences. By facilitating these conversations, we aim to spark ideas that can lead to transformative actions in academia and beyond.

Moreover, we are committed to engaging the global community—both academics and non-academics alike. Through Global Nexus, we seek to not only educate but also empower individuals from all walks of life, providing them with the opportunity to participate in discussions that can shape the future. The conference will feature monthly virtual seminars, each lasting 2-3 hours, delivered through Zoom, with delegates from around the world presenting their research in short, impactful sessions.

A Platform for Thought Leaders and the General Public
Global Nexus will serve two key groups:

  1. Educationists: These scholars will act as the voices of change, presenting their research and leading discussions that challenge the status quo. Each presenter will be given five minutes to share their research, providing concise yet thought-provoking insights into critical issues. Renowned keynote speakers from various academic disciplines will open each session, setting the tone for a series of engaging discussions.
  2. The Global Community: Beyond the academic elite, Global Nexus invites members of the public to actively participate. By attending these seminars, the general public can gain a deeper understanding of key issues across various fields, interact with global thought leaders, and take away actionable ideas to implement in their own communities.

Why You Should Join
For educationists, Global Nexus offers a rare opportunity to present their work on a global stage, connect with fellow scholars, and be part of a movement that transcends conventional academic forums. It is a chance to contribute to a larger cause, impacting not just the academic world, but society as a whole.

For the general public, this is an invitation to be part of an intellectual revolution. By attending Global Nexus, you will be able to interact with some of the brightest minds in academia, gain fresh perspectives on a wide range of topics, and engage in discussions that can shape the future.

Looking Ahead: Expanding to Physical Venues
While Global Nexus will initially be conducted virtually, with monthly sessions hosted on Zoom, our vision extends beyond the digital realm. After a few successful virtual events, we aim to bring the conferences to physical venues across select universities and colleges worldwide. These institutions will have the opportunity to host in-person events, allowing for deeper engagement, face-to-face networking, and collaborative problem-solving.

Leadership Behind Global Nexus
At the helm of this initiative is Preeth Padmanabhan Nambiar, a visionary leader with a rich history in academia, literature, and humanitarian efforts. As the Founder and CEO of the Writers Capital International Foundation, Nambiar has been a driving force behind numerous international projects aimed at fostering a culture of creativity, intellectual growth, and humanitarian values. His extensive experience in education, particularly as the former Head of the Department of English at the University of Cambridge in the Maldives, has provided him with unique insights into the intersection of academia and real-world change.

Supporting this endeavor is Irene Doura Kavadia, the Secretary General of the Writers Capital International Foundation, who brings her vast expertise in international collaboration and leadership. Together, Nambiar and Kavadia lead a global team dedicated to creating platforms that elevate voices from all corners of the world, breaking barriers between academic disciplines, cultures, and communities.

Join Us in Igniting Change
The power of academia lies not only in its ability to generate knowledge but also in its potential to inspire action. Through Global Nexus, we invite you to be part of a global conversation that seeks to challenge the status quo, explore new ideas, and create lasting impact. Together, let us embark on this journey to spark meaningful change, inspire new ideas, and make a lasting difference in the world.

Registration

Educationists interested in presenting their work can register here: https://forms.gle/LvtPaJ9jQfGarVAF6
The general public is welcome to attend by registering here:
Global: https://rzp.io/rzp/GNCGlobal
India: https://rzp.io/rzp/GNCIndia

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Yuray Tolentino Hevia: A Multifaceted Artist and Poet from Cuba

Yuray Tolentino Hevia, born in Güira de Melena, Cuba, in 1975, stands as a remarkable figure in contemporary literature and the arts. Her diverse talents encompass poetry, screenwriting, curation, art criticism, and production, reflecting a multifaceted approach to creative expression. Over the years, her work has graced the pages of numerous magazines, newspapers, and anthologies, reaching audiences in Cuba and over 20 other countries, thus establishing her as a significant voice in the international literary landscape.

As a curator, Hevia has made her mark by organizing more than 40 solo and group exhibitions, showcasing the works of various artists and fostering cultural dialogue. Notably, she has participated as a curator in the prestigious Havana International Biennial on three occasions—2009, 2015, and 2019—where she contributed to the exploration of contemporary art on a global stage.

Hevia’s artistic contributions have not gone unnoticed, as evidenced by the numerous awards she has received. In 2024, she was honored with the World Excellence Platinum Eagle Award in Yucatán, Mexico, under the presidency of Dr. Fco. Xavier Ramírez and Jeanette Eureka Tiburcio. Additionally, she won the Annual Peace Prize named after Dr. Juan Carlos Martínez Chuecas in both 2022 and 2024, further underscoring her commitment to promoting peace through her work.

Her accolades extend to the World “Golden Eagle” Award for Artistic Excellence, which she received in both 2023 and 2024 from the Hispanic World Writers’ Union in collaboration with Thousand Minds for Mexico International and the World Academy of Literature, History, Art, and Culture. In recognition of her significant contributions, Hevia was also honored with the Fenix Fraternity Awards as Ambassador for the Planet and awarded an Honoris Causa by the Hispanic World Doctoral Faculty of Global Leaders in Mexico in 2024. That same year, she joined the Academic Board of Turkey’s foreign section, reflecting her growing influence in international artistic circles.

Hevia’s literary achievements are equally impressive. In 2023, she won First Place in the International Prize “Las Plumas del Quetzal,” awarded by Thousand Minds for Mexico International, and was designated a Master Poet by the Alliance on World Poetry Day. Her recognition extends to being selected as one of the 43 semifinalists for the 49th ACO Karamanov Poetry Award in Macedonia in 2022, as well as receiving the International Peace and Human Rights Defense Award from the World Union of Poets for Peace and Freedom in Italy that same year.

Her literary accolades also include the III and IV César Vallejo World Awards for Artistic Excellence, awarded in Peru and Mexico in 2022 and 2023, respectively. Additionally, Hevia was recognized with a Diploma of Merit in the 2nd Online Poetry Slam by Kuktura Project in Italy in 2022, along with several prestigious awards from various international competitions, including the International Award “Tulliola – Renato Filippelli” for the best book in Spanish in 2020.

Hevia has published five notable poetry books, including Puertas, Boleros y Cenizas (2019) and Yo también soy ellas (2019), both with Primigenios Publishing in Miami. Her more recent works include 90 Millas: Diario de un inmigrante (2023) with Stockholm Project 2033 Global Leader and translated selections of Puertas, Boleros y Cenizas in collaboration with Edizioni iL CUSCINOdiSTELLE and Editorial Dos Islas. Additionally, she ventured into the realm of visual arts with her book Entre el casco y la mala idea (2021), which chronicles her insights into the art world.

Through her poetry, curation, and critical engagement with the arts, Yuray Tolentino Hevia embodies a spirit of creativity and cultural exchange. Her work not only enriches the literary landscape but also serves as a beacon of artistic excellence, bridging the gap between different cultures and promoting a deeper understanding of the human experience. As she continues to make her mark on the global stage, Hevia remains a vital voice in the conversation surrounding contemporary art and literature.

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Jorge Alexis Del Arca: A Multifaceted Talent from Lima, Peru

Jorge Alexis Del Arca, born on June 4, 1984, in Lima, Peru, has been a beacon of creativity and talent since childhood. From a tender age, he exhibited an extraordinary affinity for literature, particularly stories and fables. His father, recognizing this burgeoning interest, would share enchanting tales that transported Jorge to magical realms, igniting a passion for storytelling that would flourish throughout his life.

By the age of six, Jorge’s imagination led him to create his comic strip, Super Trapo, featuring an elderly doctor with superpowers reminiscent of Superman. He also birthed El Pájaro Karateka, inspired by his fascination with martial arts films. These early creations foreshadowed his future as a storyteller and writer. At eight, encouraged by his father, Jorge began reciting poetry in school, a testament to his growing love for the written word. By thirteen, he had already garnered recognition, winning a school acrostic competition that highlighted his poetic talents.

In addition to his literary pursuits, Jorge cultivated a diverse array of interests. He learned to play chess at the age of seven, securing victories in various championships within his category. His passion for mathematics and music further enriched his childhood experiences, with music becoming a profound love that shaped his identity. Jorge’s musical journey began in earnest when he took an extension course at the National Library of Peru and the National Conservatory of Music, where he explored various instruments including the piano, guitar, pan flute, and accordion.

Jorge’s dedication to music was solidified through private lessons with Georgina Rodríguez De Banda, who not only taught him piano but also introduced him to the accordion. His talent for instrumental and classical music blossomed, and he showcased his skills at local school events. After graduating from CETPRO Atlantic in 2012, he continued to refine his musical prowess, currently studying at the Superior School of Music Francisco Pérez Anampa in Ica.

An accomplished writer, Jorge has penned over 70 value-based stories and more than 150 poems, all awaiting publication. His storytelling skills earned him accolades, including a victory in the Gabriel García Márquez storytelling contest organized by Utopía Poética’s Tamaulipas branch.

On July 7, 2024, Jorge showcased his musical talents at the First Music Expo on America Online Radio and the World Press Agency, further establishing himself as a versatile artist committed to his craft. With his rich tapestry of experiences in literature and music, Jorge Alexis Del Arca continues to inspire others through his creative endeavors, leaving an indelible mark on the artistic landscape of Peru and beyond.

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Gloria Teresa Pizarro Dioses: A Luminary of Education and the Arts

Gloria Teresa Pizarro Dioses, a distinguished figure from Tumbes, Peru, embodies the harmonious blend of education, culture, and artistic expression. With a rich academic background and a passion for the arts, Gloria has dedicated her life to fostering creativity and knowledge in her community and beyond.

Her academic journey is marked by impressive achievements. Gloria holds a Bachelor’s degree in Secondary Education and a second specialty in Primary Education. In addition to her teaching credentials, she is a Certified Public Accountant and has earned a Bachelor’s degree in Business Administration. Her commitment to education is further reflected in her academic accomplishments, including a Master’s degree in Education with a focus on Research and Teaching, a Bachelor’s degree in Accounting Sciences, and a Bachelor’s degree in Education.

Gloria’s artistic training began at the Instituto Folklórico del Magisterio Alejandro Vivanco, where she graduated specializing in folk dance. Her dedication to the performing arts led her to pursue further studies at the School of Dramatic Arts, where she established herself as a national declaimer, showcasing her profound connection to Peruvian cultural heritage.

Her passion for the arts has led her to participate in numerous festivals and literary events, both nationally and internationally. In Peru, she has made significant contributions to prominent events such as the Casa de la Literatura Peruana in Lima, where she participated in the Viernes Literarios and various festivals celebrating art and poetry in locations like San Pedro de Lloc in Trujillo, Tembladera in Cajamarca, and Chancay in Lima. Notably, she achieved second place in the adult category of the Concurso Tu Voz Existe, organized by the Municipalidad de Lince in Lima.

On the international stage, Gloria has represented Peru at the Festival Internacional de Poesía in Macas, Ecuador, and participated in a cultural poetry event organized by the Asociación Teatro de La Tierra in Madrid, Spain, in 2023. She also contributed to the Artistic Cultural Festival held by the Asociación de Mujeres Empresarias Iberoamericanas in Madrid the same year. Furthermore, her engagement extends to virtual platforms, such as the International Festival Poesía por la Paz in Valle del Cauca, Colombia, and the CCI Utopía Poética Universal affiliated with California.

Gloria’s dedication to education and the arts has not gone unnoticed, as she has received numerous accolades for her contributions. She has been recognized by the Congreso de la República for her efforts in promoting education, art, and culture in Peru, particularly on International Women’s Day. Her remarkable achievements have also earned her acknowledgment from the Parlamento Andino. The municipal government of Zarumilla, Tumbes, has honored her as Hija Ilustre, while various educational institutions, including the Colegio de Profesores del Callao, the Dirección Regional de Educación del Callao, Universidad Nacional Federico Villarreal, Universidad Privada Alas Peruanas, and Universidad Privada Las Américas, have also celebrated her contributions.

Gloria Teresa Pizarro Dioses stands as a testament to the transformative power of education and the arts. Her unwavering commitment to fostering creativity, preserving cultural heritage, and inspiring future generations has made her a celebrated figure in Peru and beyond. Through her dedication, she continues to pave the way for a richer, more vibrant cultural landscape in her community and across the globe.

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Alexandra Psaropoulou: A Life of Artistic Flight Through Poetry and Illustration

Born under the vibrant and energetic sign of the Fire Horse, Alexandra Psaropoulou’s life has been shaped by a deep connection to the natural world, creative thought, and artistic expression. Her early years were spent on the island of Hydra, nestled among the wild, untamed mountains of Greece. Surrounded by the serenity of nature and the artistic influence of her family, these formative years laid the foundation for her lifelong passion for literature, art, and creative exploration.

Alexandra’s educational journey took her to St. Mary’s in Wiltshire, followed by a deep dive into European Thought and Literature at Anglia Ruskin University in Cambridge. She further broadened her horizons by living in the cultural epicenters of Paris and New York, where she immersed herself in the rich artistic and literary communities. Eventually, she returned to her homeland of Greece, finding solace and inspiration near the Temple of Poseidon in Sounio, where the sea continues to be a source of creative reflection.

Coming from a family steeped in the arts, Alexandra was naturally influenced by her parents. Her father was a distinguished poet and publisher, while her mother was a ballet dancer who led the Dance Union in Greece. Growing up in an environment surrounded by artists, writers, and academics, she was constantly exposed to diverse forms of creative expression, which shaped her unique artistic vision.

Today, Alexandra lives with her husband, a classical guitar soloist, and their four children by the sea. Her creative work is a marriage of poetry and visual art, with each of her books reflecting the seamless blend of these two forms. Alexandra’s series, The Flying, showcases her original long poems, accompanied by her graphic illustrations, each piece forming a symphony of word and image. Her works Flying 13 and Flying 17 have been published in Greek by Writers International Edition, with Flying 18 soon to follow.

Her poetry—bold, vivid, and soaring—captures the essence of life’s journey, the experience of flight both literal and metaphorical. Through her art, Alexandra invites readers to embark on an imaginative voyage, blending the tactile with the intangible, the seen with the unseen, all while rooted in the classical and mythic heritage of Greece.

In each poem and illustration, Alexandra’s voice emerges as a modern expression of timeless themes, reflecting a life steeped in artistic exploration and profound connection to the natural and spiritual worlds. Her books, now available on Amazon, continue to inspire and captivate audiences worldwide. For more information about Alexandra Psaropoulou please follow the link: https://linktr.ee/AlexandraBooks

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